Let's straight into the theme, most women were reading female literature works, because they are looking for an escape. The heroine is often blank, lively people everywomen in men, shopping and friends in that order. Our readers not spare the female literature point. Like the romance novel readers in front of us, we ignore small things, such as the plot and characteristic for a chance to enter in other people's simple world, to try them, and decided to play around Jimmy Choo sort of life, and the wind took all the solution of the problem. In the past ten years, this furry thought and literature escape was conspicuous consumption idea, generous lifestyle and shopping. And the author is right, readers feel now credit knead the way of life.
But seriously, do these publishing houses and authors really think we want to listen to people whine and complain about being broke or losing their homes for 300 pages? The navel-gazing heroine who works so well in a vapid little novel becomes insufferable when suddenly tasked with wrestling with larger problems. Where's the fun in crying over credit card bills? (Maybe that's why I never got into the Shopaholic series. Dodging calls from creditors isn't a fun little plot point, it's a grim state of existence.)
But seriously, do these publishing houses and authors really think we want to listen to people whine and complain about being broke or losing their homes for 300 pages? The navel-gazing heroine who works so well in a vapid little novel becomes insufferable when suddenly tasked with wrestling with larger problems. Where's the fun in crying over credit card bills? (Maybe that's why I never got into the Shopaholic series. Dodging calls from creditors isn't a fun little plot point, it's a grim state of existence.)
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